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Ways of Seeing

This theme explores the ever-changing relationship between artists and the land

Experience Ways of Seeing


The Dandenong Ranges have always been a place of ever-changing beauty and inspiration. Light, colour, form and perspective have shaped the way that people have engaged with and experienced this unique area. For thousands of years Wurundjeri woiwurrung people lived on and travelled across this Country. They were part of this Country in the same way that Country was part of them. Wurundjeri woiwurrung people’s relationship with Country is linked to their Culture, and while connections to both were threatened by the invasion of European settlers and colonisation, this link has never been lost.  

Around the time European arrivals were beginning to discover the beauty and wonder of the Dandenong Ranges through the early works of artists like Eugene von Guérard, who was active in the area in the late 1850s, Wurundjeri woiwurrung people were being driven off their Country and separated from family and Culture. From the European perspective, the area was an untouched, unexplored, new and exotic environment, while for Wurundjeri woiwurrung people, European activities were leading to the destruction of their carefully nurtured and well-maintained Country. 

For many First Nations people and new settlers, seeing the landscape of goranwarrabil (the Dandenong Ranges) inspired a strong desire to protect and preserve the natural environment. The relationship between ways of seeing the landscape, and how it has been interpreted, captured and preserved, has evolved over time. The Wurundjeri woiwurrung people describe the way the twilight radiates from the ridgeline at Kalorama as thurruk. A prominent feature in artworks created by the Australian Impressionists and later the Tonalists was the use of light and shadow to capture the changing hues and atmosphere of the Dandenong Ranges. Wurundjeri woiwurrung ngurungaeta (headman) William Barak used his artwork to reinforce his and his people’s connection to Country and Culture, while other creatives, like landscape designer Edna Walling, physically changed the landscape to create a home among the hills. 

 

woiwurrung translations by Wurundjeri woman Brooke Wandin. 

Trail Conditions and Closures


Ways of Seeing trails connect Montrose, Kalorama and Mount Dandenong

Whenever you’re visiting our national parks and state forests, please always check changes to trail conditions, and weather warnings, before beginning your walk. Be sure to take enough water, and wear suitable clothing for the conditions.

partly_cloudy_day Check the Weather warning Trail Conditions

Architectural Node


COMING SOON

“The Ways of Seeing Node is an expression of the rhythm of the forest and the movement of water through the layers of Country. Here, the phloem of the Mountain Ash is honoured as conduit of water from Biik-ut (Below Country) through Biik-dui (On Country) and into Wurru wurru Biik (Sky Country). Bank Biik (Water Country) is honoured as an ephemeral presence, reflecting Sky and Star Country when it pools in the boulder.”

– Design statement by Djinjama and Cola Studio

The ngurrak barring Architectural Nodes are collaborative explorations of the themes of the walk through an Indigenous lens, crafted by First Peoples design studios, Djinjama and COLA Studio.

Djirra Binak


Djirra Binak (Reed Basket) is a dynamic sculptural installation by Murrup Biik—a public art practice led by Aunty Kim Wandin and Chris Joy—in collaboration with Collide Public Art Initiative.

 

Djirra Binak (Reed Basket)

The Reveal


The Reveal is a highly evocative installation by Helen Bodycomb (artist), Cate Kennedy (writer) and Aunty Lee-Anne Clarke (cultural advisor and artist) situated beneath the towering mountain ash and tree ferns of the Doongalla Forest.

The Reveal

Interpretive Signage along the Ways of Seeing Trail


Click on the images below to discover the interpretive signage along the Ways of Seeing trail.